On Stockhausen's Solo(s): Beyond Interpretation.
Using Karlheinz Stockhausen's Solo für Melodieinstrument und Rückkopplung (1965--1966) as a starting point, the authors investigate the affect and effect of technological transference when reproducing historical repertoire with live electronics. A suggestion of technical transparency often accompani...
| Publicado en: | Leonardo Music Journal Vol. 28; no. 1; pp. 13 - 19 |
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| Autores principales: | , |
| Formato: | Artículo |
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MIT Press
Dec2018
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=133409725&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 133409725 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 09611215 1F1 jtl: Leonardo Music Journal issn: 09611215 maglogo: N pubinfo: dt: Dec2018 vid: 28 iid: 1 pid: 776 pub: MIT Press artinfo: ui: 133409725 10.1162/LMJ_a_01036 ppf: 13 ppct: 6 formats: fmt: @attributes: type: P size: 3MB tig: atl: On Stockhausen's Solo(s): Beyond Interpretation. aug: au: CANCINO, JUAN PARRA MULDER, JOHANNES affil: Orpheus Institute, Ghent, Belgium Murdoch University, Perth, Australia su: Stockhausen, Karlheinz, 1928-2007 Musical interpretation Digital audio Computer music Time delay systems sug: subj: Stockhausen, Karlheinz, 1928-2007 Musical interpretation Digital audio Computer music Time delay systems ab: Using Karlheinz Stockhausen's Solo für Melodieinstrument und Rückkopplung (1965--1966) as a starting point, the authors investigate the affect and effect of technological transference when reproducing historical repertoire with live electronics. A suggestion of technical transparency often accompanies digital sound technologies; we aim to challenge this notion. We argue that the coloring that emerges with digital media can (and perhaps should be) used to inject new life into, and ask new questions of, the works that are being preserved. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Leonardo Music Journal is the property of MIT Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Leonardo Music Journal holder: MIT Press dt: @attributes: year: 2018 holdings: @attributes: islocal: N |
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