On Stockhausen's Solo(s): Beyond Interpretation.
Using Karlheinz Stockhausen's Solo für Melodieinstrument und Rückkopplung (1965--1966) as a starting point, the authors investigate the affect and effect of technological transference when reproducing historical repertoire with live electronics. A suggestion of technical transparency often accompani...
| Publicado en: | Leonardo Music Journal Vol. 28; no. 1; pp. 13 - 19 |
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| Autores principales: | , |
| Formato: | Artículo |
| Publicado: |
MIT Press
Dec2018
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| Materias: | |
| Acceso en línea: | Ver este registro en EBSCOhost |