Emocijų metaforinė egzemplifikacija grynojoje muzikoje.
In this paper, it is argued that pure music does not represent emotions but it can metaphorically exemplify them. This proposition is based on Nelson Goodman's conception of metaphorical exemplification which is supplemented by Mark Textor with an additional condition of intention (exemplification r...
| Publicado en: | Problems / Problemos Vol. 95; pp. 117 - 130 |
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| Formato: | Artículo |
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Vilnius University
2019
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=136144521&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 136144521 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 13921126 3D4C jtl: Problems / Problemos issn: 13921126 maglogo: N pubinfo: dt: 2019 vid: 95 pid: 16037 pub: Vilnius University artinfo: ui: 136144521 10.15388/Problemos.95.10 ppf: 117 ppct: 13 formats: fmt: @attributes: type: P size: 1.7MB tig: atl: Emocijų metaforinė egzemplifikacija grynojoje muzikoje. aug: au: Mikalonytė, Elzė Sigutė affil: Vilniaus universiteto Filosofijos institutas sug: keyword: emotional expressivity of music metaphorical exemplification Nelson Goodman Paul Grice emotional expressivity of music metaforinė egzemplifikacija metaphorical exemplification muzikos emocinis išraiškingumas Nelson Goodman Nelsonas Goodmanas Paul Grice Paulas Grice'as ab: In this paper, it is argued that pure music does not represent emotions but it can metaphorically exemplify them. This proposition is based on Nelson Goodman's conception of metaphorical exemplification which is supplemented by Mark Textor with an additional condition of intention (exemplification requires an intention to exemplify). The paper consists of two parts. In the first part, an analysis of recognition and evocation of emotions when listening to music is presented. In the second part, a new argument is offered for considering the metaphorical exemplification of emotions in music as a non-natural type of meaning in a Gricean sense. By accepting this premise, the conception of metaphorical exemplification can be defended against main criticisms. Šiame straipsnyje ginama tezė, kad grynoji muzika nereprezentuoja emocijų, bet jas metaforiškai egzemplifikuoja. Tezė grindžiama remiantis N. Goodmano metaforinės emocijų egzemplifikacijos samprata, kurią M. Textoras papildo intencijos kriterijumi (egzemplifikuojama tik tai, ką turima intencija egzemplifikuoti). Straipsnis sudarytas iš dviejų dalių: pirmojoje pateikiama emocijų atpažinimo ir sužadinimo klausantis muzikos analizė. Antrojoje dalyje siekiama pagrįsti, kad emocijų metaforinė egzemplifikacija muzikoje laikytina P. Grice'o nenatūralios prasmės rūšimi, o priėmus šią prielaidą galima apginti metaforinės egzemplifikacijos sampratą nuo pagrindinių kontrargumentų. pubtype: Academic Journal doctype: Article src: R language: Lithuanian refInfo: copyright: @attributes: flag: Y custom: Copyright of Problems / Problemos is the property of Vilnius University and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Problems / Problemos holder: Vilnius University dt: @attributes: year: 2019 holdings: @attributes: islocal: N |
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