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Emocijų metaforinė egzemplifikacija grynojoje muzikoje.

In this paper, it is argued that pure music does not represent emotions but it can metaphorically exemplify them. This proposition is based on Nelson Goodman's conception of metaphorical exemplification which is supplemented by Mark Textor with an additional condition of intention (exemplification r...

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Published in:Problems / Problemos Vol. 95; pp. 117 - 130
Main Author: Mikalonytė, Elzė Sigutė
Format: Article
Published: Vilnius University 2019
Online Access:View this record in EBSCOhost
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      jtl: Problems / Problemos
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      dt: 2019
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        10.15388/Problemos.95.10
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        atl: Emocijų metaforinė egzemplifikacija grynojoje muzikoje.
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        au: Mikalonytė, Elzė Sigutė
        affil: Vilniaus universiteto Filosofijos institutas
      sug:
      keyword:
        emotional expressivity of music
        metaphorical exemplification
        Nelson Goodman
        Paul Grice
        emotional expressivity of music
        metaforinė egzemplifikacija
        metaphorical exemplification
        muzikos emocinis išraiškingumas
        Nelson Goodman
        Nelsonas Goodmanas
        Paul Grice
        Paulas Grice'as
      ab:
        In this paper, it is argued that pure music does not represent emotions but it can metaphorically exemplify them. This proposition is based on Nelson Goodman's conception of metaphorical exemplification which is supplemented by Mark Textor with an additional condition of intention (exemplification requires an intention to exemplify). The paper consists of two parts. In the first part, an analysis of recognition and evocation of emotions when listening to music is presented. In the second part, a new argument is offered for considering the metaphorical exemplification of emotions in music as a non-natural type of meaning in a Gricean sense. By accepting this premise, the conception of metaphorical exemplification can be defended against main criticisms.
        Šiame straipsnyje ginama tezė, kad grynoji muzika nereprezentuoja emocijų, bet jas metaforiškai egzemplifikuoja. Tezė grindžiama remiantis N. Goodmano metaforinės emocijų egzemplifikacijos samprata, kurią M. Textoras papildo intencijos kriterijumi (egzemplifikuojama tik tai, ką turima intencija egzemplifikuoti). Straipsnis sudarytas iš dviejų dalių: pirmojoje pateikiama emocijų atpažinimo ir sužadinimo klausantis muzikos analizė. Antrojoje dalyje siekiama pagrįsti, kad emocijų metaforinė egzemplifikacija muzikoje laikytina P. Grice'o nenatūralios prasmės rūšimi, o priėmus šią prielaidą galima apginti metaforinės egzemplifikacijos sampratą nuo pagrindinių kontrargumentų.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: Lithuanian
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      custom: Copyright of Problems / Problemos is the property of Vilnius University and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use.
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