Neoliberal violence and aesthetic resistance in Abderrahmane Sissako's Bamako (2006).
Abderrahmane Sissako's celebrated Bamako (2006) stages a public trial of the debt policies of the International Monetary Fund and World Bank in Africa in a shared courtyard in Bamako. By putting both western and African film aesthetics and modes of spectatorship also on trial through formal strategi...
| Publicado en: | Studies in French Cinema Vol. 19; no. 4; pp. 294 - 314 |
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| Autor principal: | |
| Formato: | Film/TV Criticism and Review |
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Taylor & Francis Ltd
Nov2019
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| Acceso en línea: | Ver este registro en EBSCOhost |