Neoliberal violence and aesthetic resistance in Abderrahmane Sissako's Bamako (2006).

Abderrahmane Sissako's celebrated Bamako (2006) stages a public trial of the debt policies of the International Monetary Fund and World Bank in Africa in a shared courtyard in Bamako. By putting both western and African film aesthetics and modes of spectatorship also on trial through formal strategi...

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Bibliographic Details

Published in:	Studies in French Cinema Vol. 19; no. 4; pp. 294 - 314
Main Author:	Williams, James S.
Format:	Film/TV Criticism and Review
Published:	Taylor & Francis Ltd Nov2019
Subjects:	Bamako (Film) Sissako, Abderrahmane, 1961- African films Motion pictures Violence in motion pictures Neoliberalism
Online Access:	View this record in EBSCOhost