Identity in Dance: What Happened?
In the mid-1970s, the dance community was ecstatic that choreographic works were finally being recognized for the first time for protection under the Copyright Law of [3]. The dance world tolerates astonishing variation in the performance of dance works without loss of identity. Margolis argued that...
| Publicado en: | Midwest Studies In Philosophy (Wiley-Blackwell) Vol. 44; no. 1; pp. 81 - 92 |
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| Formato: | Artículo |
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Wiley-Blackwell
Dec2019
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| Acceso en línea: | Ver este registro en EBSCOhost |