Identity in Dance: What Happened?
In the mid-1970s, the dance community was ecstatic that choreographic works were finally being recognized for the first time for protection under the Copyright Law of [3]. The dance world tolerates astonishing variation in the performance of dance works without loss of identity. Margolis argued that...
| Publicado en: | Midwest Studies In Philosophy (Wiley-Blackwell) Vol. 44; no. 1; pp. 81 - 92 |
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| Formato: | Artículo |
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Wiley-Blackwell
Dec2019
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=140855240&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 140855240 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 03636550 N82 jtl: Midwest Studies In Philosophy (Wiley-Blackwell) issn: 03636550 maglogo: Y pubinfo: dt: Dec2019 vid: 44 iid: 1 pid: 480 pub: Wiley-Blackwell artinfo: ui: 140855240 10.1111/misp.12121 ppf: 81 ppct: 11 formats: fmt: – @attributes: type: T – @attributes: type: P size: 76KB tig: atl: Identity in Dance: What Happened? aug: au: Van Camp, Julie C. su: Dance Fashion Art theory History of dance Ballroom dancing Motion picture premieres sug: subj: Dance Fashion Art theory History of dance Ballroom dancing Motion picture premieres ab: In the mid-1970s, the dance community was ecstatic that choreographic works were finally being recognized for the first time for protection under the Copyright Law of [3]. The dance world tolerates astonishing variation in the performance of dance works without loss of identity. Margolis argued that scores are inadequate, claiming that "dance scores are primarily heuristic devices for recovering a minimal sense of the principal positions and movements of a given dance." An outraged choreographer, say, a Martha Graham, distressed by performance of one of her works by a dancer not trained or coached in her methods, might vehemently insist that it was not a performance of the Graham work at all. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Midwest Studies In Philosophy (Wiley-Blackwell) is the property of Wiley-Blackwell and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Midwest Studies In Philosophy (Wiley-Blackwell) holder: Wiley-Blackwell dt: @attributes: year: 2019 holdings: @attributes: islocal: N |
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