Referential iconicity in music and speech.

Musical meaning is multifaceted. It is highly sensory and yet often abstract; able to cross cultural boundaries and yet embedded in specific traditions. For the most part music as a semiotic system is characterized by non-referential meaning (Monelle, 1991). Nevertheless, in so-called programmatic m...

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Detalles Bibliográficos
Publicado en:Public Journal of Semiotics Vol. 9; no. 1; pp. 41 - 78
Autor principal: Giraldo, Verónica
Formato: Artículo
Publicado: Public Journal of Semiotics 2019
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Acceso en línea:Ver este registro en EBSCOhost