Necrofeminismo y redes de indignación en Gertrudis Gómez de Avellaneda y Emilia Pardo Bazán.
The article focuses on necrofeminism and indignation in the works of playwrights Gertrudis Gómez de Avellaneda and Emilia Pardo Bazán. Topics discussed include political aspects of emotions, rationality of feminism in theater, trauma of discrimination, rage and emotionality in theater, and transatla...
| Publicado en: | Revista Hispánica Moderna (0034-9593) Vol. 73; no. 1; pp. 61 - 76 |
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| Formato: | Artículo |
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University of Pennsylvania Press
Jun2020
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| Acceso en línea: | Ver este registro en EBSCOhost |
| Sumario: | The article focuses on necrofeminism and indignation in the works of playwrights Gertrudis Gómez de Avellaneda and Emilia Pardo Bazán. Topics discussed include political aspects of emotions, rationality of feminism in theater, trauma of discrimination, rage and emotionality in theater, and transatlantic culture of the 19th century. It further discusses theater in 19th and 20th century, sarcasm in emotions used in theater and its criticism published in newspaper "El Correo," necrosubjectivity in theater. |
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