Necrofeminismo y redes de indignación en Gertrudis Gómez de Avellaneda y Emilia Pardo Bazán.

The article focuses on necrofeminism and indignation in the works of playwrights Gertrudis Gómez de Avellaneda and Emilia Pardo Bazán. Topics discussed include political aspects of emotions, rationality of feminism in theater, trauma of discrimination, rage and emotionality in theater, and transatla...

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Publicado en:Revista Hispánica Moderna (0034-9593) Vol. 73; no. 1; pp. 61 - 76
Autor principal: PELUFFO, ANA
Formato: Artículo
Publicado: University of Pennsylvania Press Jun2020
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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        au: PELUFFO, ANA
        affil: UNIVERSITY OF CALIFORNIA, DAVIS
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        Feminism
        Anger
        Pardo Bazán, Emilia, condesa de, 1852-1921
        Emotions
        Sarcasm
        El Correo (Newspaper)
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          Feminism
          Anger
          Pardo Bazán, Emilia, condesa de, 1852-1921
          Emotions
          Sarcasm
          El Correo (Newspaper)
      ab: The article focuses on necrofeminism and indignation in the works of playwrights Gertrudis Gómez de Avellaneda and Emilia Pardo Bazán. Topics discussed include political aspects of emotions, rationality of feminism in theater, trauma of discrimination, rage and emotionality in theater, and transatlantic culture of the 19th century. It further discusses theater in 19th and 20th century, sarcasm in emotions used in theater and its criticism published in newspaper "El Correo," necrosubjectivity in theater.
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    language: Spanish
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