'White People All Over': Refugee Performance, Fictional Aesthetics, and Dramaturgies of Alterity-Empathy.
The article examines the production of the immersive participatory performance project titled "Passajar" in Lisbon, Portugal to tackle topics like refugee performance, fictional aesthetics, migrant theatre, and alterity-empathy. Topics include the dramaturgical processes of refugeedom, the need for...
| Publicado en: | Contemporary Theatre Review Vol. 30; no. 3; pp. 375 - 390 |
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| Autores principales: | , |
| Formato: | Artículo |
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Taylor & Francis Ltd
Aug2020
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| Acceso en línea: | Ver este registro en EBSCOhost |
| Sumario: | The article examines the production of the immersive participatory performance project titled "Passajar" in Lisbon, Portugal to tackle topics like refugee performance, fictional aesthetics, migrant theatre, and alterity-empathy. Topics include the dramaturgical processes of refugeedom, the need for an inclusive dramaturgy on human rights, and the complexities and differences of the personal histories of individual refugees. |
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