'White People All Over': Refugee Performance, Fictional Aesthetics, and Dramaturgies of Alterity-Empathy.

The article examines the production of the immersive participatory performance project titled "Passajar" in Lisbon, Portugal to tackle topics like refugee performance, fictional aesthetics, migrant theatre, and alterity-empathy. Topics include the dramaturgical processes of refugeedom, the need for...

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Publicado en:Contemporary Theatre Review Vol. 30; no. 3; pp. 375 - 390
Autores principales: Musca, Szabolcs, Corrêa, Graça P.
Formato: Artículo
Publicado: Taylor & Francis Ltd Aug2020
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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        atl: 'White People All Over': Refugee Performance, Fictional Aesthetics, and Dramaturgies of Alterity-Empathy.
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          Musca, Szabolcs
          Corrêa, Graça P.
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        Performance
        Refugees
        Theater
        Dramatic structure
        Aesthetics
        Empathy
        Human rights
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          Performance
          Refugees
          Theater
          Dramatic structure
          Aesthetics
          Empathy
          Human rights
      ab: The article examines the production of the immersive participatory performance project titled "Passajar" in Lisbon, Portugal to tackle topics like refugee performance, fictional aesthetics, migrant theatre, and alterity-empathy. Topics include the dramaturgical processes of refugeedom, the need for an inclusive dramaturgy on human rights, and the complexities and differences of the personal histories of individual refugees.
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