Casting a Literary Mammy in Diego Sánchez de Badajoz’s Farsa de la hechizera.

This article analyses the theatrical representation of an unnamed black woman in Diego Sánchez de Badajoz’s Farsa de la hechizera (1523/1540–49). In doing so, I employ the term “mammy” – and, more loosely, the Castilian word “nodriza” – in order to capture an interdisciplinary mode of literary criti...

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Publicado en:	University of Toronto Quarterly Vol. 88; no. 4; pp. 323 - 346
Autor principal:	JONES, NICHOLAS R.
Formato:	Artículo
Publicado:	University of Toronto Press Fall2019
Materias:	African diaspora Theater production & direction Black women Masculinity Sexual objectification Renaissance in art
Acceso en línea:	Ver este registro en EBSCOhost