'Italianness' in English-language novels: intratextual translation as a representational tool.
A contemporary writer choosing to set a narrative in a different country might find themselves desirous to represent multilingualism (or 'heterolingualism', the term preferred by Rainier Grutman) on the page. Bringing a different language into the main language of the text, however, can be a complic...
| Publicado en: | New Writing: The International Journal for the Practice & Theory of Creative Writing Vol. 18; no. 1; pp. 35 - 47 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
Feb2021
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=149064381&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 149064381 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 14790726 V4D jtl: New Writing: The International Journal for the Practice & Theory of Creative Writing issn: 14790726 maglogo: N pubinfo: dt: Feb2021 vid: 18 iid: 1 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 149064381 10.1080/14790726.2020.1746351 ppf: 35 ppct: 12 formats: fmt: @attributes: type: P size: 1.1MB tig: atl: 'Italianness' in English-language novels: intratextual translation as a representational tool. aug: au: Primon, Julie affil: Creative Writing Department, ENCAP, Cardiff University, Wales, UK su: Multilingualism Shamgar, Meir, 1925-2019 Fiction Baily, Virginia Translations sug: subj: Multilingualism Shamgar, Meir, 1925-2019 Fiction Baily, Virginia Translations keyword: fiction language literature multilingualism translation Writing ab: A contemporary writer choosing to set a narrative in a different country might find themselves desirous to represent multilingualism (or 'heterolingualism', the term preferred by Rainier Grutman) on the page. Bringing a different language into the main language of the text, however, can be a complicated process. Using terminology introduced by Meir Sternberg in 1981, this article looks at three examples of contemporary British novels set partly in Italy: Virginia Baily's Early One Morning, Adam Foulds's In the Wolf's Mouth and Penelope Fitzgerald's Innocence. Particular attention will be paid to the different ways in which the narratives integrate Italian language into their English text, and to the different purposes served by intratextual translation strategies, before pointing out some of the limits of intratextual translation as a representational tool. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of New Writing: The International Journal for the Practice & Theory of Creative Writing is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: New Writing: The International Journal for the Practice & Theory of Creative Writing holder: Taylor & Francis Ltd dt: @attributes: year: 2021 holdings: @attributes: islocal: N |
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