THE Anxiety of Authenticity: THE Historical Reception of Broken Blossoms (1919), Shanghai Express (1932) and The Good Earth (1937) in China.

This article analyses the authenticity principles connected to Hollywood's portrayal of China and the Chinese through three important American films screened or banned in China – Broken Blossoms (1919), Shanghai Express (1932), and The Good Earth (1937) – but with a special focus on both the histori...

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Bibliographic Details

Published in:	Historical Journal of Film, Radio & Television Vol. 41; no. 2; pp. 232 - 251
Main Author:	Han, Qijun
Format:	Article
Published:	Taylor & Francis Ltd Jun2021
Subjects:	Historicity Chinese films Chinese people American films Motion picture censorship Twenty-first century China
Online Access:	View this record in EBSCOhost