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THE Anxiety of Authenticity: THE Historical Reception of Broken Blossoms (1919), Shanghai Express (1932) and The Good Earth (1937) in China.

This article analyses the authenticity principles connected to Hollywood's portrayal of China and the Chinese through three important American films screened or banned in China – Broken Blossoms (1919), Shanghai Express (1932), and The Good Earth (1937) – but with a special focus on both the histori...

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Publicado en:Historical Journal of Film, Radio & Television Vol. 41; no. 2; pp. 232 - 251
Autor principal: Han, Qijun
Formato: Artículo
Publicado: Taylor & Francis Ltd Jun2021
Materias:
Historicity
Chinese films
Chinese people
American films
Motion picture censorship
Twenty-first century
China
Acceso en línea:Ver este registro en EBSCOhost