Datafying Museum Visitors: A Research Agenda.
Museums are participating in the capturing of global data for the perceived benefit of improved relationships with the public. This article proposes a framework for critically analyzing the datafication of museum visitors and visitor engagement, combining a critical lens from data studies with a soc...
| Publicado en: | Information & Culture Vol. 57; no. 1; pp. 1 - 21 |
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| Formato: | Artículo |
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University of Texas Press
2022
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=155256500&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 155256500 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 21648034 FB2C jtl: Information & Culture issn: 21648034 maglogo: N pubinfo: dt: 2022 vid: 57 iid: 1 pid: 519 pub: University of Texas Press artinfo: ui: 155256500 10.7560/ic57105 ppf: 1 ppct: 20 formats: fmt: – @attributes: type: T – @attributes: type: P size: 850KB tig: atl: Datafying Museum Visitors: A Research Agenda. aug: su: Bourdieu, Pierre, 1930-2002 Museum visitors Perceived benefit Social pressure Government accounting Audiences sug: subj: Bourdieu, Pierre, 1930-2002 Museum visitors Perceived benefit Social pressure Government accounting Audiences keyword: Bourdieu fields data loop datafication museum visitors social media engagement ab: Museums are participating in the capturing of global data for the perceived benefit of improved relationships with the public. This article proposes a framework for critically analyzing the datafication of museum visitors and visitor engagement, combining a critical lens from data studies with a social view of datafication as practice—a set of practices within a sociotechnical assemblage that is continuously reproduced by the choices made within and outside the museum. Museums are situated at the intersection of Pierre Bourdieu's economic, cultural, and political fields; thus, I highlight some of the external social and technological pressures driving datafication in museums. Relying on public accounts and previous case studies, I argue that datafication of visitor engagement is made to work through data loops: circular processes between institutional practices of museums and social practices of audiences where data are collected, processed, and decided upon. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Information & Culture is the property of University of Texas Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Information & Culture holder: University of Texas Press dt: @attributes: year: 2022 holdings: @attributes: islocal: N |
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