Blackness and Self-Imaging: Lorraine O'Grady's Performance as Mademoiselle Bourgeoise Noire.
The continued lack of visibility and representation of Black women in studies of historical and contemporary performance art not only forces their work to exist within the margins, but their exclusion also exposes broader questions around the terrain for decolonising performance histories. In order...
| Publicado en: | Contemporary Theatre Review Vol. 32; no. 1; pp. 4 - 21 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
Feb2022
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| Acceso en línea: | Ver este registro en EBSCOhost |