Blackness and Self-Imaging: Lorraine O'Grady's Performance as Mademoiselle Bourgeoise Noire.

The continued lack of visibility and representation of Black women in studies of historical and contemporary performance art not only forces their work to exist within the margins, but their exclusion also exposes broader questions around the terrain for decolonising performance histories. In order...

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Detalles Bibliográficos

Publicado en:	Contemporary Theatre Review Vol. 32; no. 1; pp. 4 - 21
Autor principal:	Macaulay, Vanessa Damilola
Formato:	Artículo
Publicado:	Taylor & Francis Ltd Feb2022
Materias:	O'Grady, Lorraine African American artists Theorists Performance artists Performance art Black feminism
Acceso en línea:	Ver este registro en EBSCOhost