To Whom It Belongs: The Aftermaths of Afrocubanismo and the Power over Lo Negro in Cuban Arts, 1938–1958.

This article explores the impact of Afrocubanismo on the development of Cuba’s arts during the 1940s and 1950s. The article follows the discursive output of artists, intellectuals, and cultural policymakers of different racial backgrounds over the deployment of lo negro to construct cubanidad. It ar...

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Publicado en:	Latin American Research Review Vol. 57; no. 1; pp. 1 - 19
Autor principal:	García Yero, Cary Aileen
Formato:	Artículo
Publicado:	Cambridge University Press Mar2022
Materias:	Arts Policy sciences Language & languages Racial inequality Black artists
Acceso en línea:	Ver este registro en EBSCOhost