Cervantes after the material turn: river gods, lakes of blood, and other personified bodies of water in Numancia.
This paper proposes a new materialist reading of Cervantes's Numancia (c. 1585) that reassesses the role of personified bodies of water like the Duero as early modern naturecultures. Personifications of bodies of water were ubiquitous in the political iconography of the early modern period due to th...
| Published in: | Journal of Spanish Cultural Studies Vol. 23; no. 4; pp. 411 - 429 |
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| Format: | Article |
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Taylor & Francis Ltd
Dec2022
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| Online Access: | View this record in EBSCOhost |