Cervantes after the material turn: river gods, lakes of blood, and other personified bodies of water in Numancia.

This paper proposes a new materialist reading of Cervantes's Numancia (c. 1585) that reassesses the role of personified bodies of water like the Duero as early modern naturecultures. Personifications of bodies of water were ubiquitous in the political iconography of the early modern period due to th...

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Publicado en:Journal of Spanish Cultural Studies Vol. 23; no. 4; pp. 411 - 429
Autor principal: Rodríguez-Rincón, Luis
Formato: Artículo
Publicado: Taylor & Francis Ltd Dec2022
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Acceso en línea:Ver este registro en EBSCOhost