La refiguration artistique de Les Misérables, de Victor Hugo, par le Choeur Mozart.
I will develop a reflection on the intersemiotic reconfiguration that the Mozart Choir, under my artistic direction, carried out on Victor Hugo's novel Les Misérables -- a reconfiguration that took into account the dialogic engagement with some versions of the cinema and musical theatre (essentially...
| Published in: | Carnets: Revue Electronique d'Etudes Françaises / Revista Electrónica de Estudos Franceses no. 24; pp. 1 - 13 |
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| Format: | Article |
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Associacao Portuguesa de Estudos Franceses (APEF)
2022
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| Online Access: | View this record in EBSCOhost |
| Summary: | I will develop a reflection on the intersemiotic reconfiguration that the Mozart Choir, under my artistic direction, carried out on Victor Hugo's novel Les Misérables -- a reconfiguration that took into account the dialogic engagement with some versions of the cinema and musical theatre (essentially in the scope of the scenic and choreographic architecture, the vocal demand, the mimodramatic formulas and the educational purposes). Je développerai une réflexion sur la reconfiguration intersémiotique que le Choeur Mozart, sous ma direction artistique, a effectuée sur le roman Les Misérables de Victor Hugo -- une reconfiguration qui a pris en compte l'engagement dialogique avec certaines versions cinématographique ainsi que du théâtre musical (essentiellement dans le cadre de l'architecture scénique et chorégraphique, de l'exigence vocale, des formules mimodramatiques et des objectifs pédagogiques). |
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