The Masses are Revolting: Victorian Culture and the Political Aesthetics of Disgust.

At the end of the day, the assiduity with which Samalin has charted 1857 to 1860 is complemented by the laser-like precision with which he has uncovered a valuable array of arguments and ideas that would be largely illegible without the cogent and precise accounting of disgust this book ably puts fo...

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Publicado en:Victorian Studies Vol. 64; no. 4; pp. 724 - 727
Autor principal: Plotz, John
Formato: Artículo
Publicado: Indiana University Press Summer2022
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: The Masses are Revolting: Victorian Culture and the Political Aesthetics of Disgust.
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        au: Plotz, John
        affil: Brandeis University
      su:
        Aversion
        Political culture
        Aesthetics
        Victorian Period, Great Britain, 1837-1901
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          Aversion
          Political culture
          Aesthetics
          Victorian Period, Great Britain, 1837-1901
      ab: At the end of the day, the assiduity with which Samalin has charted 1857 to 1860 is complemented by the laser-like precision with which he has uncovered a valuable array of arguments and ideas that would be largely illegible without the cogent and precise accounting of disgust this book ably puts forth. I closed the book with a deep appreciation for Samalin's insight about how crucially disgust demonstrates the importance of aesthetic categories for implicit and unacknowledged work within natural scientific or social scientific discourses. , by Zachary Samalin; pp. xi + 325.
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