The Masses are Revolting: Victorian Culture and the Political Aesthetics of Disgust.
At the end of the day, the assiduity with which Samalin has charted 1857 to 1860 is complemented by the laser-like precision with which he has uncovered a valuable array of arguments and ideas that would be largely illegible without the cogent and precise accounting of disgust this book ably puts fo...
| Publicado en: | Victorian Studies Vol. 64; no. 4; pp. 724 - 727 |
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| Formato: | Artículo |
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Indiana University Press
Summer2022
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| Acceso en línea: | Ver este registro en EBSCOhost |
| Sumario: | At the end of the day, the assiduity with which Samalin has charted 1857 to 1860 is complemented by the laser-like precision with which he has uncovered a valuable array of arguments and ideas that would be largely illegible without the cogent and precise accounting of disgust this book ably puts forth. I closed the book with a deep appreciation for Samalin's insight about how crucially disgust demonstrates the importance of aesthetic categories for implicit and unacknowledged work within natural scientific or social scientific discourses. , by Zachary Samalin; pp. xi + 325. |
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