Multiple Spectacular Identities or about variations of artistic forms on the same subject.
In the creation of humanity, there are several subjects that have proven universal, crossing the ages. They have been individually approached by most of the arts, notably by the performing arts, thus acquiring multiple identity forms of expression. Due to the notoriety born from the fascination they...
| Publicado en: | Theatrical Colloquia Vol. 12; no. 2; pp. 157 - 187 |
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| Formato: | Artículo |
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George Enescu University of Arts, Artes Publishing House
2022
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=162122389&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 162122389 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 15844927 JX0V jtl: Theatrical Colloquia issn: 15844927 maglogo: N pubinfo: dt: 2022 vid: 12 iid: 2 pid: 80565 pub: George Enescu University of Arts, Artes Publishing House artinfo: ui: 162122389 10.35218/tco.2022.12.2.17 ppf: 157 ppct: 30 formats: fmt: @attributes: type: P size: 5.3MB tig: atl: Multiple Spectacular Identities or about variations of artistic forms on the same subject. aug: au: BOGDAN, Stanca Maria affil: Associate assistant professor at the Department of Theatre & Film of the "Babeș-Bolyai" University of Cluj-Napoca. Doctoral student of the Doctoral School of Music and Theatre at the West University of Timișoara. su: Opera Performing arts Dramatists Cults sug: subj: Opera Performing arts Dramatists Cults keyword: identity opera theatre I.L. Caragiale identitate operă Paul Constantinescu teatru ab: In the creation of humanity, there are several subjects that have proven universal, crossing the ages. They have been individually approached by most of the arts, notably by the performing arts, thus acquiring multiple identity forms of expression. Due to the notoriety born from the fascination they have exercised over generations, some subjects have even come to be represented in all the performing formulas of art. In Romanian creation, the subjects of numerous popular or cult literary texts, lyrical or epic, became sources for the creators of the performing arts. At the same time, some of the dramatic texts crossed beyond the stage of the classical theatre. The plays of the most performed local playwright, Ion Luca Caragiale stand out here. In the relationship between classical and lyrical theatre, the most representative illustration is „O noapte furtunoasă”1 Caragiale's play was turned into an opera by Paul Constantinescu, the composer thereby marking a triple national premiere: the first opera buffa, the birth of recitative in Romanian opera and the first male role en travesti for a female voice. În creaţia umanităţii, există o sumă de subiecte ce s-au dovedit universale, traversând epocile. Acestea au fost abordate de mai toate artele în parte, cu predilecţie de cele ale spectacolului, dobândind astfel multiple forme identitare de expresie. Datorită notorietăţii născute din fascinaţia pe care au exercitat-o peste generaţii, unele subiecte au ajuns chiar a fi reprezentate în toate formulele spectaculare ale artei. În creaţia românească, subiectele a numeroase texte literare populare sau culte, lirice sau epice au devenit surse pentru creatorii artelor spectacolului. Totodată, parte dintre textele dramatice au depăşit scena teatrului clasic. Se disting aici îndeosebi piesele celui mai jucat dramaturg autohton, Ion Luca Caragiale. În relaţia dintre teatrul clasic şi cel liric, cea mai reprezentativă ilustrare o constituie „O noapte furtunoasă”. Piesa caragialeană a fost transformată în operă de către Paul Constantinescu, compozitorul marcând prin aceasta o triplă premieră naţională: cea dintâi operă bufă, naşterea recitativului în opera românească şi primul rol masculin în travesti pentru o voce feminină. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Theatrical Colloquia is the property of George Enescu University of Arts, Artes Publishing House and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Theatrical Colloquia holder: George Enescu University of Arts, Artes Publishing House dt: @attributes: year: 2022 holdings: @attributes: islocal: N |
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