Satyr-Play in the Statesman and the Unity of Plato's Trilogy.
At Statesman (Plt.) 291a–c and 303c–d, Plato compares the so-called statesmen of all existing constitutions to a motley crew of lions, centaurs, satyrs, and other beasts, and the entire section of the Statesman devoted to law and constitutions (291c–303c) to a satyr-play of sorts. This paper argues...
| Publicado en: | Phronesis Vol. 68; no. 2; pp. 127 - 167 |
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| Autor principal: | |
| Formato: | Artículo |
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Brill Academic Publishers
2023
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| Acceso en línea: | Ver este registro en EBSCOhost |
| Sumario: | At Statesman (Plt.) 291a–c and 303c–d, Plato compares the so-called statesmen of all existing constitutions to a motley crew of lions, centaurs, satyrs, and other beasts, and the entire section of the Statesman devoted to law and constitutions (291c–303c) to a satyr-play of sorts. This paper argues that these thought-provoking images are best understood as literary devices which, in addition to other dramatic elements in the Theaetetus and Sophist , help to bolster the unity of the Theaetetus-Sophist-Statesman trilogy and its apologetic agenda concerning Socrates. |
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