Satyr-Play in the Statesman and the Unity of Plato's Trilogy.

At Statesman (Plt.) 291a–c and 303c–d, Plato compares the so-called statesmen of all existing constitutions to a motley crew of lions, centaurs, satyrs, and other beasts, and the entire section of the Statesman devoted to law and constitutions (291c–303c) to a satyr-play of sorts. This paper argues...

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Publicado en:Phronesis Vol. 68; no. 2; pp. 127 - 167
Autor principal: El Murr, Dimitri
Formato: Artículo
Publicado: Brill Academic Publishers 2023
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: Satyr-Play in the Statesman and the Unity of Plato's Trilogy.
      aug:
        au: El Murr, Dimitri
        affil: Department of Philosophy, École Normale Supérieure–PSL, 26909, Paris, France
      su:
        Plato, 428-347 B.C.
        Socrates, ca. 469-399 B.C.
        Statesmen
        Concord
        Authorship
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        subj:
          Plato, 428-347 B.C.
          Socrates, ca. 469-399 B.C.
          Statesmen
          Concord
          Authorship
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        Plato
        satyr-play
        Socrates
        Sophist
        Statesman
        Theaetetus
        tragedy
      ab: At Statesman (Plt.) 291a–c and 303c–d, Plato compares the so-called statesmen of all existing constitutions to a motley crew of lions, centaurs, satyrs, and other beasts, and the entire section of the Statesman devoted to law and constitutions (291c–303c) to a satyr-play of sorts. This paper argues that these thought-provoking images are best understood as literary devices which, in addition to other dramatic elements in the Theaetetus and Sophist , help to bolster the unity of the Theaetetus-Sophist-Statesman trilogy and its apologetic agenda concerning Socrates.
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