Listening Queerly to Teleny and Trilby.
The article explores the representation of music in two late-nineteenth-century novels, "Trilby" by George du Maurier and "Teleny" by anonymous co-authorship. It discusses how these novels use music as a means of expressing queer identities and desires, highlighting the significance of sound and mus...
| Publicado en: | English Studies in Canada Vol. 46; no. 2-4; pp. 161 - 181 |
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| Formato: | Artículo |
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English Studies in Canada
Jun-Dec2020
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| Acceso en línea: | Ver este registro en EBSCOhost |
| Sumario: | The article explores the representation of music in two late-nineteenth-century novels, "Trilby" by George du Maurier and "Teleny" by anonymous co-authorship. It discusses how these novels use music as a means of expressing queer identities and desires, highlighting the significance of sound and musical allusions in shaping non-normative sexualities at that time. |
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