Listening Queerly to Teleny and Trilby.

The article explores the representation of music in two late-nineteenth-century novels, "Trilby" by George du Maurier and "Teleny" by anonymous co-authorship. It discusses how these novels use music as a means of expressing queer identities and desires, highlighting the significance of sound and mus...

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Publicado en:English Studies in Canada Vol. 46; no. 2-4; pp. 161 - 181
Autor principal: Roskams, Victoria C.
Formato: Artículo
Publicado: English Studies in Canada Jun-Dec2020
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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        au: Roskams, Victoria C.
        affil: University of Oxford.
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        Literary adaptations
        Musical accompaniment
        Human sexuality
        LGBTQ+ people
        Trilby (Book)
        19th century (Literary period)
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          Literary adaptations
          Musical accompaniment
          Human sexuality
          LGBTQ+ people
          Trilby (Book)
          19th century (Literary period)
      ab: The article explores the representation of music in two late-nineteenth-century novels, "Trilby" by George du Maurier and "Teleny" by anonymous co-authorship. It discusses how these novels use music as a means of expressing queer identities and desires, highlighting the significance of sound and musical allusions in shaping non-normative sexualities at that time.
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