Searching for Redemption with Cardboard Wings: Forced Entertainment and the Sublime.
This essay examines the work of Forced Entertainment, in particular Marina & Lee and Emanuelle Enchanted, and their relationship to Romanticism and Lyotard's re-workings of Kant's Sublime. The specular relationship between performer and audience is positioned as the deconcatenated moment(s) of the i...
| Publicado en: | Contemporary Theatre Review Vol. 2; no. 2; pp. 25 - 36 |
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| Autor principal: | |
| Formato: | Artículo |
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Taylor & Francis Ltd
1994
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| Acceso en línea: | Ver este registro en EBSCOhost |
| Sumario: | This essay examines the work of Forced Entertainment, in particular Marina & Lee and Emanuelle Enchanted, and their relationship to Romanticism and Lyotard's re-workings of Kant's Sublime. The specular relationship between performer and audience is positioned as the deconcatenated moment(s) of the inexpressible/unpresentable (the sublime) that disrupts the operations and opens out the limits of representation. |
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