Searching for Redemption with Cardboard Wings: Forced Entertainment and the Sublime.
This essay examines the work of Forced Entertainment, in particular Marina & Lee and Emanuelle Enchanted, and their relationship to Romanticism and Lyotard's re-workings of Kant's Sublime. The specular relationship between performer and audience is positioned as the deconcatenated moment(s) of the i...
| Publicado en: | Contemporary Theatre Review Vol. 2; no. 2; pp. 25 - 36 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
1994
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=16709853&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 16709853 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 10486801 7VS jtl: Contemporary Theatre Review issn: 10486801 maglogo: N pubinfo: dt: 1994 vid: 2 iid: 2 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 16709853 10.1080/10486809408568296 ppf: 25 ppct: 11 formats: fmt: @attributes: type: P size: 769KB tig: atl: Searching for Redemption with Cardboard Wings: Forced Entertainment and the Sublime. aug: au: Quick, Andrew su: Theater Performing arts Interpersonal relations in literature Romanticism in literature Lyotard, Jean-François, 1924-1998 Sublime, The Entertainers sug: subj: Theater Performing arts Interpersonal relations in literature Romanticism in literature Lyotard, Jean-François, 1924-1998 Sublime, The Entertainers keyword: Forced Entertainment Lyotard Performance Representation The Event The Sublime ab: This essay examines the work of Forced Entertainment, in particular Marina & Lee and Emanuelle Enchanted, and their relationship to Romanticism and Lyotard's re-workings of Kant's Sublime. The specular relationship between performer and audience is positioned as the deconcatenated moment(s) of the inexpressible/unpresentable (the sublime) that disrupts the operations and opens out the limits of representation. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Contemporary Theatre Review is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Contemporary Theatre Review holder: Taylor & Francis Ltd dt: @attributes: year: 1994 holdings: @attributes: islocal: N |
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