Imagine Filmi Ekseninde Romantik Bakışla Fenomenolojik Bir Film Düşünme Pratiği.
When focusing on the context of cinema and philosophy, movies are considered as an important form of qualified thinking process. In this qualitative study, which is based on the assumption that cinema has strengths in interpreting some concepts and methods of philosophy, the cases where the phenomen...
| Publicado en: | Journal of Selcuk University Social Sciences Institute / Selçuk Üniversitesi Sosyal Bilimler Enstitüsü Dergisi no. 52; pp. 405 - 420 |
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| Autores principales: | , |
| Formato: | Artículo |
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Journal of Selcuk University Social Sciences Institute
ara2023
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| Materias: | |
| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=ssf&AN=175274864&site=ehost-live header: @attributes: shortDbName: ssf uiTerm: 175274864 longDbName: Social Sciences Full Text (H.W. Wilson) uiTag: AN controlInfo: bkinfo: jinfo: jid: 26674750 N8PV jtl: Journal of Selcuk University Social Sciences Institute / Selçuk Üniversitesi Sosyal Bilimler Enstitüsü Dergisi issn: 26674750 maglogo: N pubinfo: dt: ara2023 iid: 52 pid: 75803 pub: Journal of Selcuk University Social Sciences Institute artinfo: ui: 175274864 10.52642/susbed.1352766 ppf: 405 ppct: 15 formats: tig: atl: Imagine Filmi Ekseninde Romantik Bakışla Fenomenolojik Bir Film Düşünme Pratiği. aug: au: MEDİN, Burak DURANOĞLU, Bünyamin affil: Doç. Dr./Assoc. Prof. Dr., Erciyes Üniversitesi. Doktora Öğrencisi/Ph.D. Stud., Erciyes Üniversitesi İletişim Fakültesi. su: Students with visual disabilities Phenomenology Ontology Gaze Sampling (Process) sug: subj: Students with visual disabilities Phenomenology Ontology Gaze Sampling (Process) keyword: Cinema Philosophy Romanticism Cinema Felsefe Fenomenoloji Imagine Ontology Ontoloji Phenomenology Philosophy Romanticism Romantizm Sinema Cinema Philosophy Romanticism Cinema Felsefe Fenomenoloji Imagine Ontology Ontoloji Phenomenology Philosophy Romanticism Romantizm Sinema ab: When focusing on the context of cinema and philosophy, movies are considered as an important form of qualified thinking process. In this qualitative study, which is based on the assumption that cinema has strengths in interpreting some concepts and methods of philosophy, the cases where the phenomenological method intersects with the romantic view are analyzed through a film. The adventure of the romantic gaze, which coincides with the fragmentation of seeing, is discussed in the context of the subject-object relationship of phenomenology. The movie Imagine (2012), which includes the imagination lessons given by a visually impaired teacher to visually impaired students, was chosen as the research object and sample of this study with the purposeful sampling technique on the axis of scope and limitation. Based on the analysis and analysis, it is possible to evaluate and claim that cinema, as a form that produces a similarity to the world of imagination within the relationship between cinema and philosophy, in the axis of the relationship between the theoretical framework and the filmic text, is powerful as a ground for philosophy. Moreover, on the ground of ontology, it is seen as a result of the study that techniques such as phenomenological method, suspension and transcendental experience can be embodied in film-thinking practice. pubtype: Academic Journal doctype: Article src: R language: Turkish refInfo: copyright: @attributes: flag: N holdings: @attributes: islocal: N |
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