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Whiteness, Coloniality and Distributive Justice in Claudia Llosa's La teta asustada (2009).

First released in 2009, Peruvian filmmaker Claudia Llosa's La teta asustada has received "mixed" critical attention. While some accuse Llosa of exotifying Indigenous peoples and traditions, others suggest that the film succeeds in representing the traumatic memory of victims of Peru's Internal Armed...

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Published in:Hispanic Review Vol. 92; no. 2; pp. 201 - 222
Main Author: Renker, Tess
Format: Film/TV Criticism and Review
Published: University of Pennsylvania Press Spring2024
Subjects:
La Teta Asustada (Film)
Llosa, Claudia
Racial identity of white people
Distributive justice
Imperialism
Lima (Peru)
Online Access:View this record in EBSCOhost

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