Whiteness, Coloniality and Distributive Justice in Claudia Llosa's La teta asustada (2009).

First released in 2009, Peruvian filmmaker Claudia Llosa's La teta asustada has received "mixed" critical attention. While some accuse Llosa of exotifying Indigenous peoples and traditions, others suggest that the film succeeds in representing the traumatic memory of victims of Peru's Internal Armed...

Descripción completa

Detalles Bibliográficos

Publicado en:	Hispanic Review Vol. 92; no. 2; pp. 201 - 222
Autor principal:	Renker, Tess
Formato:	Film/TV Criticism and Review
Publicado:	University of Pennsylvania Press Spring2024
Materias:	La Teta Asustada (Film) Llosa, Claudia Racial identity of white people Distributive justice Imperialism Lima (Peru)
Acceso en línea:	Ver este registro en EBSCOhost