Materializing Habit to Make Visible: The Chinese Lady and the spectacle of cultural framing.
This article investigates how the performance of Lloyd Suh's The Chinese Lady foregrounds the matter of visibility as a construct shaped by habitual patterns of perception, which in turn frames cultural bodies in ways that are marginalized, obscured and often misunderstood. Through the lens of habit...
| Published in: | Performance Research Vol. 28; no. 6; pp. 69 - 73 |
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| Format: | Book Review |
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Taylor & Francis Ltd
Sep2023
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| Subjects: | |
| Online Access: | View this record in EBSCOhost |