Crime, the city and the Congo: Family, race and the urban in recent Belgian cinema.
Pieter Van Hees's Waste Land (2014) situates Belgian national anxiety in the country's White supremacist past and present, both of which milieux are shared by its language communities. The film suggests, perhaps in spite of itself, that the claim by Brussels to be a centre of power is ethnically, as...
| Publicado en: | Journal of European Popular Culture Vol. 15; no. 1; pp. 21 - 35 |
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| Formato: | Artículo |
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Intellect Ltd.
Apr2024
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| Acceso en línea: | Ver este registro en EBSCOhost |