States of Affection: Gilles Deleuze and the In-Between-Ness of Becoming Cinema.
This article explores the rich and generative spaces poised between Gilles Deleuze's movement-image and time-image semiotic regimes as laid out in Cinema I: The Movement-Image and Cinema II: The Time-Image. Using a transhistorical approach, this investigation provides insight into the myriad strands...
| Publicado en: | Deleuze & Guattari Studies Vol. 18; no. 3; pp. 430 - 459 |
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| Formato: | Artículo |
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Edinburgh University Press
Aug2024
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=179000664&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 179000664 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 23989777 L8MC jtl: Deleuze & Guattari Studies issn: 23989777 maglogo: N pubinfo: dt: Aug2024 vid: 18 iid: 3 pid: 2327 pub: Edinburgh University Press artinfo: ui: 179000664 10.3366/dlgs.2024.0566 ppf: 430 ppct: 29 formats: fmt: – @attributes: type: T – @attributes: type: P size: 142KB tig: atl: States of Affection: Gilles Deleuze and the In-Between-Ness of Becoming Cinema. aug: au: Morgan-Davies, Jessica affil: Dallas ISD su: Varda, Agnès, 1928-2019 Theorists Possibility sug: subj: Varda, Agnès, 1928-2019 Theorists Possibility keyword: affection-image early cinema French New Wave movement-image time-image Varda ab: This article explores the rich and generative spaces poised between Gilles Deleuze's movement-image and time-image semiotic regimes as laid out in Cinema I: The Movement-Image and Cinema II: The Time-Image. Using a transhistorical approach, this investigation provides insight into the myriad strands that cross between the proposed 'breaks' in cinema's evolution of style and structure. Using the works of Loïe Fuller and Agnes Varda, as well as the theoretical support of theorists such as Walter Benjamin, Henri Bergson, Jean Epstein and Gilles Deleuze himself, this research proposes a new mode of engaging with cinema's history and semiotic evolution that re-immerses cinema within the ceaseless flow of its duration. In doing so, Deleuze's historical break between the movement- and time-image regimes becomes an enriched and often contradictory space that offers a reimagining of cinema's possibilities. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Deleuze & Guattari Studies is the property of Edinburgh University Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Deleuze & Guattari Studies holder: Edinburgh University Press dt: @attributes: year: 2024 holdings: @attributes: islocal: N |
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