States of Affection: Gilles Deleuze and the In-Between-Ness of Becoming Cinema.
This article explores the rich and generative spaces poised between Gilles Deleuze's movement-image and time-image semiotic regimes as laid out in Cinema I: The Movement-Image and Cinema II: The Time-Image. Using a transhistorical approach, this investigation provides insight into the myriad strands...
| Publicado en: | Deleuze & Guattari Studies Vol. 18; no. 3; pp. 430 - 459 |
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| Formato: | Artículo |
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Edinburgh University Press
Aug2024
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| Acceso en línea: | Ver este registro en EBSCOhost |