Cover Image
QR Code

Popular Modernism, Neoliberalism and Nationalism in the Australian New Wave: The Cars That Ate Paris (1974) and Gallipoli (1981).

Dominant narratives of the Australian New Wave tend to frame the efflorescence of national filmmaking in the 1970s through the lens of Gough Whitlam's brand of cultural nationalism. The narrative usually runs as follows: state-funded films tended to favour a conservative, genteel and respectable aes...

Full description

Published in:Journal of Australian Studies Vol. 48; no. 3; pp. 335 - 349
Main Authors: Brooks, Grace, Shervington, Laurent, Aplin, Simon
Format: Article
Published: Taylor & Francis Ltd Sep2024
Subjects:
Cultural nationalism
Social democracy
Film genres
Filmmaking
Efflorescence
Online Access:View this record in EBSCOhost