After Modernism: Women, Gender, Race.
After Modernism is a collection of essays that in multiple ways intends to decentralize the concept of modernism. The volume includes analyses of art and literature as well as history and philosophy. Through close readings and viewings, the authors re-imagine and re-position how modernity is constru...
| Published in: | Journal of Modern Literature Vol. 47; no. 4; pp. 162 - 168 |
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| Format: | Article |
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Indiana University Press
Summer2024
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| Online Access: | View this record in EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=180366599&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 180366599 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 0022281X JML jtl: Journal of Modern Literature issn: 0022281X maglogo: N pubinfo: dt: Summer2024 vid: 47 iid: 4 pid: 211 pub: Indiana University Press artinfo: ui: 180366599 10.2979/jml.00050 ppf: 162 ppct: 6 formats: fmt: – @attributes: type: T – @attributes: type: P size: 639KB tig: atl: After Modernism: Women, Gender, Race. aug: au: Nygren, Anna affil: Åbo Akademi & Gothenburg University su: Women Gender Race Feminism LGBTQ+ studies Modernity sug: subj: Women Gender Race Feminism LGBTQ+ studies Modernity keyword: critical race studies feminism postcolonialism queer studies ab: After Modernism is a collection of essays that in multiple ways intends to decentralize the concept of modernism. The volume includes analyses of art and literature as well as history and philosophy. Through close readings and viewings, the authors re-imagine and re-position how modernity is constructed and conceptualized, with the result that modernity must be understood as modernities , and modernism as modernisms. The titular concept of after is used as "both repetition and difference, both homage and critique," which means that canonical works, such as Woolf's Mrs. Dalloway are read with both love and scepticism, and placed next to analyses of works that has previously been ignored — mostly the work of female Black or indigenous artists. The result is a multifaceted and fragmented volume, where the format mirrors the central argument: that there can be no single modernism, placed in a single space or time, but always multiple and moving modernisms. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Journal of Modern Literature is the property of Indiana University Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Journal of Modern Literature holder: Indiana University Press dt: @attributes: year: 2024 holdings: @attributes: islocal: N |
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