Dutch Politics of Music-Washing at Eurovision: The Monstrous Hybrid of Commodified Musical Legacies of Slavery, Imperialist Utopianism, and White Nationalism.

The paper investigates the Dutch entry at Eurovision 2021, when the Netherlands' representative Jeangu Macrooy performed a song that referred to the singer's Afro-Surinamese origins and to the ages of slavery enforced in Suriname by Dutch colonists between the mid-1600s until its abolition in 1863....

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Publicado en:	Popular Music & Society Vol. 48; no. 2; pp. 232 - 253
Autor principal:	Susdorf, Marek
Formato:	Artículo
Publicado:	Taylor & Francis Ltd May2025
Materias:	Eurovision Song Contest Postcolonialism Musical style Imperialism Postcolonial literature Forced labor Cultural property Political science Suriname Netherlands
Acceso en línea:	Ver este registro en EBSCOhost