Dutch Politics of Music-Washing at Eurovision: The Monstrous Hybrid of Commodified Musical Legacies of Slavery, Imperialist Utopianism, and White Nationalism.
The paper investigates the Dutch entry at Eurovision 2021, when the Netherlands' representative Jeangu Macrooy performed a song that referred to the singer's Afro-Surinamese origins and to the ages of slavery enforced in Suriname by Dutch colonists between the mid-1600s until its abolition in 1863....
| Publicado en: | Popular Music & Society Vol. 48; no. 2; pp. 232 - 253 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
May2025
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| Acceso en línea: | Ver este registro en EBSCOhost |