POETA DE PUDRICIÓN: LA LÍRICA MACABRA DE ARMANDO URIBE ARCE.
An essential part of the lyrical work of the Chilean Armando Uribe Arce is marked by ontological meditation, very often articulated around a kind of lyrical phenomenology of death. The present work analyses the poetic figuration of the dead body, the primacy of an eminently macabre lyrical discourse...
| Publicado en: | Revista Chilena de Literatura no. 111; pp. 181 - 212 |
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| Formato: | Artículo |
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Universidad de Chile
may2025
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=186634075&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 186634075 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 00487651 2BN jtl: Revista Chilena de Literatura issn: 00487651 maglogo: N pubinfo: dt: may2025 iid: 111 pid: 30789 pub: Universidad de Chile artinfo: ui: 186634075 ppf: 181 ppct: 31 formats: fmt: @attributes: type: P size: 4.7MB tig: atl: POETA DE PUDRICIÓN: LA LÍRICA MACABRA DE ARMANDO URIBE ARCE. aug: au: Mahop, Romuald-Achille Mahop-Ma affil: Université de Yaoundé I Yaoundé, Camerún. su: Dead Artistic creation Figurative art Phenomenology Human body sug: subj: Dead Artistic creation Figurative art Phenomenology Human body keyword: Chilean poetry figuration of dead body human ontology macabre Armando Uribe Arce figuración del cuerpo muerto macabro ontología poesía chilena ab: An essential part of the lyrical work of the Chilean Armando Uribe Arce is marked by ontological meditation, very often articulated around a kind of lyrical phenomenology of death. The present work analyses the poetic figuration of the dead body, the primacy of an eminently macabre lyrical discourse, enunciated in the first person, the expressive resources involved in such a process and its literary and philosophical implications. Una parte importante de los poemarios publicados por el chileno Armando Uribe Arce (1933- 2020) está gobernada por la reflexión ontológica, articulada en muchos casos en torno a lo que podría denominarse una fenomenología lírica de la muerte. Se analiza en este trabajo la figuración poética del cuerpo muerto, la preeminencia de un discurso eminentemente macabro, proferido en primera persona, los recursos expresivos que sustentan su escritura y las implicaciones literarias y filosóficas de ella. pubtype: Academic Journal doctype: Article src: R language: Spanish refInfo: copyright: @attributes: flag: Y custom: Copyright of Revista Chilena de Literatura is the property of Universidad de Chile, Facultad de Filosofia y Humanidades and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Revista Chilena de Literatura holder: Universidad de Chile, Facultad de Filosofia y Humanidades dt: @attributes: year: 2025 holdings: @attributes: islocal: N |
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