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POETA DE PUDRICIÓN: LA LÍRICA MACABRA DE ARMANDO URIBE ARCE.

An essential part of the lyrical work of the Chilean Armando Uribe Arce is marked by ontological meditation, very often articulated around a kind of lyrical phenomenology of death. The present work analyses the poetic figuration of the dead body, the primacy of an eminently macabre lyrical discourse...

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Published in:Revista Chilena de Literatura no. 111; pp. 181 - 212
Main Author: Mahop, Romuald-Achille Mahop-Ma
Format: Article
Published: Universidad de Chile may2025
Subjects:
Dead
Artistic creation
Figurative art
Phenomenology
Human body
Online Access:View this record in EBSCOhost
Summary:An essential part of the lyrical work of the Chilean Armando Uribe Arce is marked by ontological meditation, very often articulated around a kind of lyrical phenomenology of death. The present work analyses the poetic figuration of the dead body, the primacy of an eminently macabre lyrical discourse, enunciated in the first person, the expressive resources involved in such a process and its literary and philosophical implications.
Una parte importante de los poemarios publicados por el chileno Armando Uribe Arce (1933- 2020) está gobernada por la reflexión ontológica, articulada en muchos casos en torno a lo que podría denominarse una fenomenología lírica de la muerte. Se analiza en este trabajo la figuración poética del cuerpo muerto, la preeminencia de un discurso eminentemente macabro, proferido en primera persona, los recursos expresivos que sustentan su escritura y las implicaciones literarias y filosóficas de ella.