| Sumario: | The article focuses on the recent Urtext editions of Fanny Hensel's music, specifically her "Ostersonate" and "Gartenlieder, op. 3," published by Bärenreiter and Carus-Verlag, respectively. It discusses the historical context of the "Ostersonate," including its rediscovery and correct attribution to Hensel, as well as the editorial choices made to preserve her compositional style while updating the score for modern performance. The "Gartenlieder" edition is noted for being Hensel's only part-song publication during her lifetime, with insights into her creative process and revisions. Both editions are praised for their quality and the critical commentary provided, although some minor inconsistencies in translations are mentioned. Overall, these editions are recommended for scholars and enthusiasts of Hensel's work and women's contributions to music.
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