TWO NEW URTEXTS OF HENSEL'S MUSIC FROM BÄRENREITER AND CARUS.
The article focuses on the recent Urtext editions of Fanny Hensel's music, specifically her "Ostersonate" and "Gartenlieder, op. 3," published by Bärenreiter and Carus-Verlag, respectively. It discusses the historical context of the "Ostersonate," including its rediscovery and correct attribution to...
| Publicado en: | Notes Vol. 82; no. 1; pp. 155 - 160 |
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| Formato: | Artículo |
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Music Library Association Inc.
Sep2025
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=186857115&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 186857115 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 00274380 TI2 jtl: Notes issn: 00274380 maglogo: N pubinfo: dt: Sep2025 vid: 82 iid: 1 pid: 1267 pub: Music Library Association Inc. artinfo: ui: 186857115 ppf: 155 ppct: 5 formats: fmt: @attributes: type: P size: 238KB tig: atl: TWO NEW URTEXTS OF HENSEL'S MUSIC FROM BÄRENREITER AND CARUS. aug: au: OSBOURNE, TYLER affil: University of Louisville su: Women in music Composers Publishing Music publishers Music history Musical composition sug: subj: Women in music Composers Publishing Music publishers Music history Musical composition ab: The article focuses on the recent Urtext editions of Fanny Hensel's music, specifically her "Ostersonate" and "Gartenlieder, op. 3," published by Bärenreiter and Carus-Verlag, respectively. It discusses the historical context of the "Ostersonate," including its rediscovery and correct attribution to Hensel, as well as the editorial choices made to preserve her compositional style while updating the score for modern performance. The "Gartenlieder" edition is noted for being Hensel's only part-song publication during her lifetime, with insights into her creative process and revisions. Both editions are praised for their quality and the critical commentary provided, although some minor inconsistencies in translations are mentioned. Overall, these editions are recommended for scholars and enthusiasts of Hensel's work and women's contributions to music. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Notes is the property of Music Library Association Inc. and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Notes holder: Music Library Association Inc. dt: @attributes: year: 2025 holdings: @attributes: islocal: N |
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