TWO NEW URTEXTS OF HENSEL'S MUSIC FROM BÄRENREITER AND CARUS.

The article focuses on the recent Urtext editions of Fanny Hensel's music, specifically her "Ostersonate" and "Gartenlieder, op. 3," published by Bärenreiter and Carus-Verlag, respectively. It discusses the historical context of the "Ostersonate," including its rediscovery and correct attribution to...

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Publicado en:Notes Vol. 82; no. 1; pp. 155 - 160
Autor principal: OSBOURNE, TYLER
Formato: Artículo
Publicado: Music Library Association Inc. Sep2025
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: TWO NEW URTEXTS OF HENSEL'S MUSIC FROM BÄRENREITER AND CARUS.
      aug:
        au: OSBOURNE, TYLER
        affil: University of Louisville
      su:
        Women in music
        Composers
        Publishing
        Music publishers
        Music history
        Musical composition
      sug:
        subj:
          Women in music
          Composers
          Publishing
          Music publishers
          Music history
          Musical composition
      ab: The article focuses on the recent Urtext editions of Fanny Hensel's music, specifically her "Ostersonate" and "Gartenlieder, op. 3," published by Bärenreiter and Carus-Verlag, respectively. It discusses the historical context of the "Ostersonate," including its rediscovery and correct attribution to Hensel, as well as the editorial choices made to preserve her compositional style while updating the score for modern performance. The "Gartenlieder" edition is noted for being Hensel's only part-song publication during her lifetime, with insights into her creative process and revisions. Both editions are praised for their quality and the critical commentary provided, although some minor inconsistencies in translations are mentioned. Overall, these editions are recommended for scholars and enthusiasts of Hensel's work and women's contributions to music.
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    language: English
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