LA PRIMERA NORMATIVA TEATRAL DIECIOCHESCA PROMULGADA EN BUENOS AIRES: UN ANÁLISIS EN CLAVE COMPARADA.

This essay traces the origins of the first theater regulations enacted in the Viceroyalty of River Plate in 1783. After establishing the historical context in which this regulatory framework emerged, this essay centers on the provisions that regulated dramatic censorship in the text of these regulat...

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Publicado en:Dieciocho: Hispanic Enlightenment Vol. 48; no. 2; pp. 251 - 265
Autor principal: BOTTA, MONICA
Formato: Artículo
Publicado: Dieciocho Fall2025
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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        au: BOTTA, MONICA
        affil: Washington and Lee University
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        Censorship
        Enlightenment
        Performing arts audiences
        Comparative studies
        Power (Social sciences)
        Madrid (Spain)
        Buenos Aires (Argentina)
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          Madrid (Spain)
          Buenos Aires (Argentina)
          Censorship
          Enlightenment
          Performing arts audiences
          Comparative studies
          Power (Social sciences)
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        This essay traces the origins of the first theater regulations enacted in the Viceroyalty of River Plate in 1783. After establishing the historical context in which this regulatory framework emerged, this essay centers on the provisions that regulated dramatic censorship in the text of these regulations approved in Buenos Aires and in those governing the activity of the public theatres in Madrid during the same period. This comparative analysis allows us to highlight the points of convergence and divergence that existed between both regulations regarding the administration of the preventive censorship within the framework of the Enlightenment.
        Este estudio rastrea los orígenes del primer reglamento teatral promulgado en el virreinato del Río de la Plata en 1783. Una vez planteado el contexto en el que surge este marco normativo, este trabajo examina las disposiciones que establecían la reglamentación de la censura dramática tanto en el texto de este primer reglamento emitido en Buenos Aires como en el que legislaba la actividad de los teatros públicos de Madrid durante la misma época. El análisis en clave comparada nos permite destacar los puntos de convergencia y divergencia que existieron entre ambas normativas en relación con la administración de la censura preventiva dentro del marco de la Ilustración.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: Spanish
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