Les referències culturals en la traducció indirecta: Gràcies per la propina de Ferran Torrent en alemany.

This work has a double purpose: on the one hand, it studies the use of culturemes in the novel Gràcies per la propina (1994) by Ferran Torrent; on the other hand, it analyses their translation into German, carried out indirectly through the Spanish version. The results obtained show the importance o...

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Publicado en:Zeitschrift für Katalanistik no. 38; pp. 121 - 150
Autores principales: Robles, Ferran, Benavent, Sabina
Formato: Artículo
Publicado: Zeitschrift fur Katalanistik 2025
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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        10.46586/ZfK.2025.121-149
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          Robles, Ferran
          Benavent, Sabina
        affil:
          Universitat de València, Institut Interuniversitari de Llengües Modernes Aplicades, Av. Blasco Ibáñez, 32, 46010 València (ES)
          Universitat de València, Departament de Filologia Anglesa i Alemanya, Av. Blasco Ibáñez, 32, 46010 València (ES)
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        Culture
        Translating & interpreting
        Cultural studies
        Cultural activities
        Literature translations
        Language & languages
        Narratives
        German language
        Valencia (Spain : Region)
      sug:
        subj:
          Valencia (Spain : Region)
          Culture
          Translating & interpreting
          Cultural studies
          Cultural activities
          Literature translations
          Language & languages
          Narratives
          German language
      keyword:
        colloquial language
        cultureme
        indirect translation
        literary translation
      ab: This work has a double purpose: on the one hand, it studies the use of culturemes in the novel Gràcies per la propina (1994) by Ferran Torrent; on the other hand, it analyses their translation into German, carried out indirectly through the Spanish version. The results obtained show the importance of these units in the construction of a realistic narrative, which recreates the environments and material culture of the time in which the plot takes place, and of a discourse that brings the reader closer to Valencian popular speech. As for the transfer of culturemes, the research shows that a general strategy aimed at preserving cultural specificities is followed throughout the work. It becomes manifest in the frequent choice of exoticising translation techniques. However, certain types of culturemes are transferred preferably through domesticating techniques: especially in the case of linguistic culturemes, an effort has been made to maintain the colloquial and popular character of discourse, to the detriment of the cultural component.
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